Together with our well-known ethnologist and dear friend Ivona Orlić, we eagerly await the release of her first book ‘Istria Through Three Generations’ which examines the regional identity within the contemporary tourist offer in Istria.

Christmas tattoos are a kind of critique of mass consumerism in which holidays become anything but what they should be: love we share with our loved ones.

Supa is a traditional Istrian meal. Roasted bread is soaked in wine, stirred with a spoon, spiced with pepper and sugar, and served in a jug called bukaleta.

The idea for the visual identity solution stems from the authenticity of the location in Istria where the aquapark Istralandia is settled: very close to the river Mirna (Quiet).

Vizkultura’s (portal for visual arts and culture) editorial, asked us to take part in their project Postering, in which Croatian designers create posters commenting on chosen subjects of their interest.

The book reveals what reality hides.

Over the past 60 years, the Arena has hosted many directors, actors, filmmakers, and presidents... But what has always remained constant is the faithful audience that fills the huge Arena, to the last seat.

LumbriJELA is perfect for those who like the tradition of Christmas trees but abhor their destruction.

The identity for the catalog of two years of Croatian design creative production (2011-2012).

As the winner of the Grand award of Croatian Designers Association (HDD) 2009/10, at the solo exhibition in the gallery of HDD, Studio Sonda did not want to represent its designer portfolio but it exhibited itself.

In Pula’s Cinema Valli, the new visual identity of the 59. Pula Film Festival was presented.